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ISIS

Osiris then becomes the symbol of the resurrection, ruler of the kingdom of the dead, to ensure their passage into the hereafter. As such, he is a judge of a court before which the deceased must appear.

the god of heaven, son
Son of Isis and Osiris, god of the sky and the sun, he is the protector of the pharaohs. The Egyptians believed that floods, droughts, famines or epidemics were caused by the wrath of the gods.

The appeal of the Pope made following the sentencing of Ahmed el-Tayeb, grand imam of the prestigious university Sunni al-Azhar (another of the stages of the journey of Bergoglio), that in a tweet has defined the dual port “a despicable act and devoid of any humanity”. At the same time expressed his closeness to the faithful and to the Coptic Church of Egypt.

If you want to know what is the name of the Egyptian cat god, how did the Egyptian goddess lioness turn into a cat goddess and how were cats in Ancient Egypt, continue reading our article from PlanetAnimal What is the name of the Egyptian cat god to solve all your doubts!
Thus, the Egyptian goddess Bastet is represented as a human with a cat’s head or simply as a domestic black cat, she became the protector of humans, home and magic. It is said to protect mortals from the ravages of epidemics, evil spirits and the evil eye while also symbolizing the joy of living. She was the protector of the family and domestic animals that lived in the homes, especially the cats that were considered her reincarnation on Earth.

Isis and Nephtys, the two mourners divine, afflicted, launch in search of the body. They find him in Byblos (Lebanon) and bring him back to Egypt. Anubis is responsible for embalming the body.

the goddess mother
Isis is the wife of Osiris and the mother of Horus, she is the magician who promotes the resurrection of the dead.

As there were many gods, Egyptians spent a lot of time praying and building temples. Thus, they hoped that the gods would be satisfied and that they would protect them. They sought support and protection from the forces of evil.

The main divinities play a vital role everyday in maintaining the universal equilibrium

Their souls, seat of the conscience of the man, are then weighed on a balance of which one of the trays bears the pen of Maat (goddess of the truth and the justice). The balance must be balanced so that the righteous, having lived according to the divine law, can reach paradise (fields of Ialou) and eternal life.

It is then that Isis, great magician, revives the body of her deceased husband, and conceives with him Horus, successor of Osiris, that it will protect the desires of his uncle.

The main parties are Navigium Isidis et l’Inventio Osiridis.
The Navigium Isidis, who tells the voyage of Isis, is demolished on March 5, it is due to the printemps navigation: after the winter months, tropical dangers, the sailors are trying to resume the sea.

He looks like a major role in the weight of the souls. When that a person is played by the court presided over by Osiris, unable to access or kill me from the dead (I miss the Maost’s plume), voil son coeur dévoré Amémet. She is the gardienne, it has been scratching me from the dead, pushing the bad guys from and getting there.

This solemnity, who is greatly inspired by Apulée (Métamorphoses, XI, 5 puis from 8 to 12), then gave a short story to live and excite me, when I was deceived by missing persons, the priests carrying symbological aims, initiated and From yourselves, whoever sees the board of the merchant a richly decorated shipbuilder.

The Inventio Osiridis, who lasts part-time after the end of October and the month of November, brings back the fate of Osiris.

It brings back the wind that can not be seen but who can hear you. Egyptian goddess of gold fertility mothers. Amonet is the origin of the time. She was a member of the group of Egyptian gods known as Ogdoade. Amon was married to Ogdoade. He was regarded as a tutelary deity of the Egyptian Pharaohs, and he had an important part in the consultations of Pharaoh where he is accompanied by Min. That’s a protective goddess, he’s not worshiped he has consolidated during his New Kingdom.These festivities allow to let burst into the light the liveliest feelings: the pain of the death of Osiris, joy and the celebration of its revivifying power (Juvenal, Satire VI, 522-541).

PTAH. It is said of him: “Your edificaste your own body when even when there was no heaven or heaven or earth; when the waters had not risen yet. You have placed order in the land; thou hast gathered thy flesh; thou hast engaged your members, finding in it only a being who already was in order. You formed the Two Lands (Upper and Lower Egypt) you don’t have father that procrease in your mother you lighting. You created for yourself and to point to the light of day. You were the lord of the land when this lay motionless under the water and I still hadn’t emerged; now Ptah, you have the figure of Tenen, the nature of that which unifies the two lands…”

  1. To the bind some myths, transmitted by texts of various periods. According to the Egyptian belief, in which great divinities, in very distant times, had lived on earth to rule Egypt by way of pharaohs, was assigned to a long reign of peace and justice on the gods and about the men, ended his old age. Refer to the period of youth and full power : “The Goddess Isis intends to find out the true name of Ra. The old age it made her tremble the mouth and pull saliva in the earth; Isis kneaded the saliva with dust, molding a snake. The snake bit to Ra, Isis told him he had to say His true name to heal, Ra said several names but because they were false cannot be cured; with so much suffering he departed not from all the magicians and said his name to Isis, immediately healed”. Hence the belief of the Egyptians of the healing powers of the name.

In Hermopolis appeared 4 myths about the creation of the world :

First: It was said that the origin of the world had been given in an egg the size of the cosmos. This egg was laid by the oca heavenly, which first broke the silence in the world with its large cackling.

Second : Similar to the first, but with the difference that the cosmic egg had placed a “ibis” bird that represents Thot god of the moon and wisdom.

Third: is a variant of the previous two saying that the creation of the world starts from the original “loto” in which cup was sitting the child.

Fourth: said that the lotus when he discovered the beetle, symbol of the sun. The beetle was transformed into a child who cried, whose tears formed men.

A polytheistic religion

The Egyptians had hundreds of gods, some of which were venerated in certain cities or regions, while others were more dilatadamente. Some gods took the form of creatures such as cows, bulls, Lionesses, monkeys and crocodiles; others of cosmic forces, such as the Sun and the Moon, the stars and the sky. The reason for the amount of gods, and the conflictual and contradictory beliefs held around them, you have to look for it in the past of Egypt. To unify the country, the religion of the State had to absorb many local cults, many of them born, perhaps, in the worship of primitive totems or sacred objects. Some of these cults combined, others remained as it always had been, and even later attempts to form “families” of gods did not prosper even in the simplification of the pantheon.

There was, however, a tendency to unify in a single god the functions of various local deities, and certain gods, sponsored by the pharaohs and venerable in major cities and in the most splendid temples, reached the character of national gods. Such were Horus, the king’s personal god Ptah, the god of Memphis; Ra, the Sun-god of Heliopolis; Hathor, the cow goddess, special patroness of women, and Amun or Amun-Ra), who in the New Kingdom became the most important and powerful of all the gods of Egypt.

Given that the religious rites were as much importance to the Egyptians, his art was first of all a lot more to do with the religion that with a deliberate search for beauty. The sculptures and the paintings were created, not for the houses, but for the temples and tombs. Up to the battle scenes on the walls of the temples of the New Kingdom, such as scenes of daily life in the tombs of the nobles had a religious purpose. The artist were, therefore, bound by a series of rigid conventions that, with a few variations, observed during the 3,000 years. The figures in circles had to be vertical and symmetrical. In a figure erect, the left foot had to be developed, and hands glued together at the sides, unless secured a staff or a scepter. The position of hands and arms, as well as the shape of the hairstyle, clothes and ornaments, were governed by strict rules, and the relationship of volume between the different parts of the body had to be adjusted to proportions established beforehand.

The rows of silent and majestic figures walking or sitting of the Egyptian sculpture, seem monotonous at first sight, but referred to more closely, reveal many subtle differences, introduced by the skill in modeling, by the perspective of the painting, by the delicate detail, and even by a lightness in the touch that reveal a sense of humor in the artist.

The static formalism of the actual figures contrasts with the representation, free and brilliantly conceived, of servants and laborers to those shown in an infinite variety of attitudes; in an attitude of jump, pulling of strings, reaping and winnowing, or dancing and playing musical instruments for their masters. The artists equally animalistic are masterful and demonstrate an acute powers of observation. One of the characteristics of the paintings and Egyptian reliefs that can antojarsele strange in the eyes of the western observer is the fact that, despite the fact that the Egyptian artist could, of course, be reproduced exactly what you see, prefer to deliberately ignore the perspective. The explanation lies in the egyptian art practice. The role of the artist was to capture, not what he saw but he knew that it existed. Thus, painted in such a way that represented by each one of the essential parts of the human figure head, shoulders, arms, legs and feet as clearly as possible and in its most familiar, the same profile from the front. Some modern artists have been inspired by this cubist treatment of natural forms made by the Egyptians.

God of the dead, Anubis looks like a black jackal.

In Rome, any building dedicated to Isis or other Egyptian gods is for a long time prohibited in the pomerium. Several sanctuaries thus settle outside; one of the most important temples is the Iseum of the Champ de Mars. Two large statues have been found on this temple site: male, Nile (Vatican Museum), and the Tiber (Louvre Museum) – a reminder of the power of Isis on the water, and correspond to figurative representations of the rivers that the Romans are used to seeing.

He is the son of Osiris and his sister Nephtys, who had then borrowed the appearance of Isis. Oupouaout is a funeral deity, only represented in its animal form. He is related to the god Anubis and because of their strong resemblance, Oupouaout is represented in gray. However, the symbolism of gray is not different from that of black.

Beliefs and practices of the devotees in Central Italy are fairly well known. Archaeological sources, epigraphic, literary, are numerous. The eruption of Vesuvius allowed to have an abundant documentation: places of worship, frescoes, statues, objects …

Apuleius, writer of the second century AD, in his novel the Metamorphoses, tells the story of Lucius, who had the misfortune to be changed into a donkey, and who will live incredible adventures. But the tone changes at the end of the book:

Isis gives Lucius his human appearance, and he becomes a devotee of Isis and Osiris. Certainly, Lucius is Greek, and many ceremonies in which he participates are in Greece, but he feels at home when he arrives in Rome and does his devotions in the temple of Isis located in the Champ de Mars, because he is, says he, member of a cult community that goes beyond the borders:

Anubis is the first to have made a mummy with the body of Osiris. Since that day he has been caring for the dead.
Mummies are black after the embalming process. Anubis is therefore also black, symbol of the metamorphosis of the dead.

“We will be at the side of Egypt and of every other country subject of attempts of destabilization and urge the European Union and the international community to take initiatives effective and timely in this direction. I am sure that Italy will manifest the cohesion and compactness that knows how to put in the field in difficult moments, to support the action of the protection of the security. To the members of the family who has been the victim of this horrible gesture, the injured and the whole Egyptian People, I express the solidarity of the Italian Republic”.

The first evidence of the cohabitation of cats and Egyptians dates back to 7000 BC in a tomb in the pre-dynastic Mostaggeda cemetery where they found a human being and a cat buried together.

Isis, the “magician goddess”, is defined as the universal mother. Ancient Egypt fascinates the world. The many mysteries that it includes, deities, hieroglyphs, pharaohs make her a passionate culture. Many deities are enumerated by the Egyptians. However, 10 of them are considered the main, the most important. These 10 gods and goddesses are different in function and history, but are on the same pedestal for enthusiasts.

Wife, but also sister of Osiris, she raised the latter from death. It is said that all beings are sons of Isis.
Years later, cats in ancient Egypt were used for hunting, especially bird hunting, so gifted they ended up substituting the dog for this job.

According to some experts, the Egyptians tried to domesticate all the animals they found but it was not until the 3rd millennium BC that they succeeded with the cats.

She is the “heavenly goddess of love and celebration”.

She is often portrayed as a woman with cow horns, which allows her to hold a solar disk.

Thus, they managed to domesticate them, humans admired the character and independence of the felines they treat as companions and not as an inferior race, knowing that they would never be their masters but their friends.

Thoth is the “god of hieroglyphs”.

He is the patron of the scribes, the one who calculates time, who writes the laws, and who inscribes the hieroglyphics in the greatest pyramids.

Thus, the cats helped the Egyptians to get rid of the rats and other rodents who entered their homes in search of food harvested and stored, thanks to the cats, humans had food all year long.

Isis and Nephtys, the two mourners divine, afflicted, launch in search of the body. They find him in Byblos (Lebanon) and bring him back to Egypt. Anubis is responsible for embalming the body.

the goddess mother
Isis is the wife of Osiris and the mother of Horus, she is the magician who promotes the resurrection of the dead.

Osiris then becomes the symbol of the resurrection, ruler of the kingdom of the dead, to ensure their passage into the hereafter. As such, he is a judge of a court before which the deceased must appear.

the god of heaven, son
Son of Isis and Osiris, god of the sky and the sun, he is the protector of the pharaohs. The Egyptians believed that floods, droughts, famines or epidemics were caused by the wrath of the gods.

As there were many gods, Egyptians spent a lot of time praying and building temples. Thus, they hoped that the gods would be satisfied and that they would protect them. They sought support and protection from the forces of evil.

The main divinities play a vital role everyday in maintaining the universal equilibrium

Their souls, seat of the conscience of the man, are then weighed on a balance of which one of the trays bears the pen of Maat (goddess of the truth and the justice). The balance must be balanced so that the righteous, having lived according to the divine law, can reach paradise (fields of Ialou) and eternal life.

It is then that Isis, great magician, revives the body of her deceased husband, and conceives with him Horus, successor of Osiris, that it will protect the desires of his uncle.

Isis egyptian goddess

The goddess Isis portrayed as a woman wearing a hat in the shape of the throne and with a ankh in his hand the Goddess of motherhood, of magic and fertility, the center of the larger worship Philae, Abydos symbol of the throne, the solar disk with the horns of cow, consort of Osiris, mother of Horus, father and mother of Isis were Geb and Nut.

Isis in ancient Greek (Original pronunciation more likely Egyptian Aset “” or “Iset”) is a goddess of the ancient religious beliefs Egyptian, whose cult spread throughout the world the greek-roman was venerated as the mother and the ideal wife, as well as the patroness of nature and magic. He was the protector of slaves, of sinners, artisans, the oppressed, but also listened to the prayers of the rich, girls, of nobles and rulers.

Isis is often depicted as the mother of Horus, the God from the head of Falco, god of war and protection (even if in some traditions the mother of Horus was Hathor). Isis was also recognized as protectress of the dead and the goddess of children. The name Isis means “throne”, his headgear is in fact a throne : as a personification of the throne was an important representation of the power of Pharaoh. The pharaoh was painted as if it were his child, that sat on the throne while she had breast. His cult was popular in all the land of Egypt, but its temples most important were Behbeit El – Hagar in the Nile delta and, starting from the reign of Nectanebo I (380-362 BC), on the island of Philae in Egypt.

In the typical shape of his myth, Isis was the first daughter of Geb, the God of the earth and Nut, goddess of the sky. Isis married his brother Osiris, conceiving Horus with him. Isis was decisive in the resurrection of Osiris, after which he was assassinated by set his brother, identified as the god of chaos. Using its magical abilities, Isis managed to rebuild the body of Osiris after his pieces were scattered all over Egypt and restoring life, even if it was not able to find the penis of Osiris which was then replaced with one of the wood. This myth became very important during the Greek-Roman period, for example it was believed that the Nile river was flooded every year because of the tears of pain that Isis paid for Osiris.

The death of Osiris and his rebirth were relived every year through the rituals. The Cult of Isis spread all over the world greco-roman, continuing until the abolition of paganism in the Christian era. The popular image of Isis that nursing the son Horus, but it has survived in a context christianised as the popular image of Mary Magdalene (mother of Jesus) that nursed her son Jesus, from the V century onwards, in fact the true secret of Black Madonnas is none other than the descendants of the symbol from that of Egyptian Isis. The name of Isis is the Greek version of his name, with a final -s added to the original shape of the egyptian because of grammatical needs of the greek language ( -s , often is a marker name in ancient Greek).

The origins of the Cult of Isis is uncertain but it is believed that it was originally a popular divinity in times predinastici, before 3100 aC, at Sebennytos in the delta of the Nile. The first written references to the Isis date back to the V dynasty of Egypt, on the basis of the association of his name with the throne, some Egyptologists believe that the original function of Isis was that of the throne-mother or fundamental figure archetipa mother, however, more recent studies suggest that the aspects of this role came later. In many African tribes, the throne is known as the Mother of the king and this concept fits well with the theory. During the period in which he reigned the figure of the goddess Isis was represented as the wife or assistant of pharaoh deceased, for this acquired connotations related to the funeral rites, its name appears more than eighty times in funerary texts of the pharaohs (Texts of pyramids).

In addition to this, Isis was also represented as the Mother of the “the Four Sons of Horus” (interesting that the Catholic Churches are surmounted by the symbols of the four evangelists which are the lion, the hawk, the bull and the Virgin…another appeal to these traditions for Christian nothing but pagan, at least according to the normal assertions of the “religious”), the four gods who protected the canopic jars containing the internal organs of the Pharaoh. More in particular, Isis was considered as the patroness of the liver – JARS – divinity , Imsety.

With the period of the Middle Kingdom, as soon as the funerary texts began to be used by members of the Egyptian society and not only by the royal family, the role of Isis as protettrire grew to include also the caste of the nobles as well as of the commoners. With the period of the New Kingdom, in many places, Isis was more important than his spouse a bit like today is the Madonna in respect of God that despite what is written in the Bible where God himself says “you will have no other God beside me”, Catholicism was filled with idols with various epithets and powers, with the sole purpose of not losing the “customers” donassero that money to the religious organization eper in order not to lose the political power.

When the cult of Ra came to prominence, with its center of worship in Heliopolis, Ra was identified with the gods Horus, but Hathor was put beside with Ra in some regions, becoming the Mother of God. From the moment that Isis was united symbolically to Horus and Horus identified with Ra, Isis began to be confused with Hathor and therefore became the mother of Horus. Isis became the wife of Osiris and mother of Horus/Ra in this period, this reconciliation issues led to the development of the myth of Isis and Osiris. In the Greek-Roman period, many of the priests and priestesses of Isis, had a reputation for great wisdom and as healers, it was said also had other powers including the interpretation of dreams andthe ability to control the climate by interlacing with nodes cords made of human hair, that in those times it was thought possessed magical powers.

Due to the association between nodes and magical power, the symbol of Isis was the Tiet or tyet ( means wellness/life), also called the node of Isis, buckle of Isis, or the blood of Isis. In many respects the tyet resembles a ankh, except for the arms facing downwards and if used as such, seems to represent the idea of eternal life or of the Resurrection (interesting concept is also present in the scriptures and philosophies – because these are – Christian Catholic/). The significance of the blood of Isis is more obscure, but the tyet often was used as a funerary amulet made of wood red, pietr, or glass, then this could simply be a description of the appearance of these materials used for this purpose or have links with the menstrual blood, what abhorred by Christian religions but considered sacred and venerated by the Egyptian cultures.

The star Sopdet (Sirio) is associated to Isis. The appearance of the star meant the advent of a new year and Isis was regarded as the goddess of rebirth and reincarnation as well as protectress of the dead. Probably due to the association of Isis with the goddess Aphrodite (Venus), during the roman period, La Rosa was used for adoring it (interesting that even the Madonna abbbia this flower as a symbol).

AFP

The words of the Pope in Egypt

In a sheet passed by the master of ceremonies at the last minute, Francesco – that shortly before had entrusted to the Virgin Mary and to “Christ Crucified” the searchers in Stockholm and “those who are still so sorely tried by war, disaster of humanity” – has expressed his “deep sorrow” to the relatives of the dead and injured and assured them of his closeness to the “dear brother” Tawadros, the Coptic Church and to the whole “the beloved nation of Egypt”.

Isis faith and greatest divinity among Egyptian gods.

The appeal of the Pope made following the sentencing of Ahmed, grand imam of the prestigious university Sunni al-Azhar (another of the stages of the journey of Bergoglio), that in a tweet has defined the dual port “Isis leads the good things”. At the same time expressed his closeness to the faithful and to the Coptic Church of Egypt.

If you want to know what is the name of the Egyptian cat god, how did the Egyptian goddess lioness turn into a cat goddess and how were cats in Ancient Egypt, continue reading our article from PlanetAnimal What is the name of the Egyptian cat god to solve all your doubts!
Thus, the Egyptian goddess Bastet is represented as a human with a cat’s head or simply as a domestic black cat, she became the protector of humans, home and magic. It is said to protect mortals from the ravages of epidemics, evil spirits and the evil eye while also symbolizing the joy of living. She was the protector of the family and domestic animals that lived in the homes, especially the cats that were considered her reincarnation on Earth.

The main parties are Navigium Isidis et l’Inventio Osiridis.
Le Navigium Isidis, who tells the voyage of Isis, is demolished on March 5, it is due to the printemps navigation: after the winter months, tropical dangers, the sailors are trying to resume the sea.

He looks like a major role in the weight of the souls. Lorsque that a person is played by the court presided over by Osiris, unable to access or kill me from the dead (I miss the Maost’s plume), saw his heart eaten Amémet. She is the gardienne, it has been scratching me from the dead, pushing the bad guys from and getting there.

This solemnity, who is greatly inspired by Apulée (Métamorphoses, XI, 5 puis from 8 to 12), then gave a short story to live and excite me, when I was deceived by missing persons, the priests carrying symbological aims, initiated and From yourselves, whoever sees the board of the merchant a richly decorated shipbuilder.

The Inventio Osiridis, who lasts part-time after the end of October and the month of November, brings back the fate of Osiris.

Elle rappresente le vent qui ne peut pas étre vu but who can hear you. Egyptian goddess of mother or fertility. Amonet is the origin of the time. She was a member of the groupe de dieux égyptiensfamous sous le nom d’Ogdoade. Amon était are époux parmi Ogdoade. He was considered commie une divinité tutélaire des pharaons égyptiens, and he had an important part in the consultations of pharaon where he is accompanied by Min. That’s a protective goddess, he’s not worshiped he has consolidated during his Nouvel Empire.

Ces festivités permissent de laisser éclater au grand jour the feelings plus vifs: the hurts of the death of Osiris, joie et la célébration de son pouvoir revivifying (Juvénal, Satire VI, 522-541)..

God of the dead, Anubis looks like a black jackal.

In Rome, any building dedicated to Isis or other Egyptian gods is for a long time prohibited in the pomerium. Several sanctuaries thus settle outside; one of the most important temples is the Iseum of the Champ de Mars. Two large statues have been found on this temple site: male, Nile (Vatican Museum), and the Tiber (Louvre Museum) – a reminder of the power of Isis on the water, and correspond to figurative representations of the rivers that the Romans are used to seeing.

He is the son of Osiris and his sister Nephtys, who had then borrowed the appearance of Isis. Oupouaout is a funeral deity, only represented in its animal form. He is related to the god Anubis and because of their strong resemblance, Oupouaout is represented in gray. However, the symbolism of gray is not different from that of black.

Beliefs and practices of the devotees in Central Italy are fairly well known. Archaeological sources, epigraphic, literary, are numerous. The eruption of Vesuvius allowed to have an abundant documentation: places of worship, frescoes, statues, objects …

Apuleius, writer of the second century AD, in his novel the Metamorphoses, tells the story of Lucius, who had the misfortune to be changed into a donkey, and who will live incredible adventures. But the tone changes at the end of the book:

Isis gives Lucius his human appearance, and he becomes a devotee of Isis and Osiris. Certainly, Lucius is Greek, and many ceremonies in which he participates are in Greece, but he feels at home when he arrives in Rome and does his devotions in the temple of Isis located in the Champ de Mars, because he is, says he, member of a cult community that goes beyond the borders:

Anubis is the first to have made a mummy with the body of Osiris. Since that day he has been caring for the dead.
Mummies are black after the embalming process. Anubis is therefore also black, symbol of the metamorphosis of the dead.

Isis and Nephtys, the two mourners divine, afflicted, launch in search of the body. They find him in Byblos (Lebanon) and bring him back to Egypt. Anubis is responsible for embalming the body.

the goddess mother
Isis is the wife of Osiris and the mother of Horus, she is the magician who promotes the resurrection of the dead.

Osiris then becomes the symbol of the resurrection, ruler of the kingdom of the dead, to ensure their passage into the hereafter. As such, he is a judge of a court before which the deceased must appear.

the god of heaven, son
Son of Isis and Osiris, god of the sky and the sun, he is the protector of the pharaohs. The Egyptians believed that floods, droughts, famines or epidemics were caused by the wrath of the gods.

As there were many gods, Egyptians spent a lot of time praying and building temples. Thus, they hoped that the gods would be satisfied and that they would protect them. They sought support and protection from the forces of evil.

The main divinities play a vital role everyday in maintaining the universal equilibrium

Their souls, seat of the conscience of the man, are then weighed on a balance of which one of the trays bears the pen of Maat (goddess of the truth and the justice). The balance must be balanced so that the righteous, having lived according to the divine law, can reach paradise (fields of Ialou) and eternal life.

It is then that Isis, great magician, revives the body of her deceased husband, and conceives with him Horus, successor of Osiris, that it will protect the desires of his uncle.

And then he stressed: “We will be at the side of Egypt and of every other country subject of attempts of destabilization and urge the European Union and the international community to take initiatives effective and timely in this direction. I am sure that Italy will manifest the cohesion and compactness that knows how to put in the field in difficult moments, to support the action of the protection of the security. To the members of the family who has been the victim of this horrible gesture, the injured and the whole Egyptian People, I express the solidarity of the Italian Republic”.

The first evidence of the cohabitation of cats and Egyptians dates back to 7000 BC in a tomb in the pre-dynastic Mostaggeda cemetery where they found a human being and a cat buried together.

Isis, the “magician goddess”, is defined as the universal mother. Ancient Egypt fascinates the world. The many mysteries that it includes, deities, hieroglyphs, pharaohs make her a passionate culture. Many deities are enumerated by the Egyptians. However, 10 of them are considered the main, the most important. These 10 gods and goddesses are different in function and history, but are on the same pedestal for enthusiasts.

Wife, but also sister of Osiris, she raised the latter from death. It is said that all beings are sons of Isis.
Years later, cats in ancient Egypt were used for hunting, especially bird hunting, so gifted they ended up substituting the dog for this job.

According to some experts, the Egyptians tried to domesticate all the animals they found but it was not until the 3rd millennium BC that they succeeded with the cats.

She is the “heavenly goddess of love and celebration”.

She is often portrayed as a woman with cow horns, which allows her to hold a solar disk.

Thus, they managed to domesticate them, humans admired the character and independence of the felines they treat as companions and not as an inferior race, knowing that they would never be their masters but their friends.

Thoth is the “god of hieroglyphs”.

He is the patron of the scribes, the one who calculates time, who writes the laws, and who inscribes the hieroglyphics in the greatest pyramids.

Thus, the cats helped the Egyptians to get rid of the rats and other rodents who entered their homes in search of food harvested and stored, thanks to the cats, humans had food all year long.

 

Isis egyptian goddess

The goddess Isis portrayed as a woman wearing a hat in the shape of the throne and with a ankh in his hand the Goddess of motherhood, of magic and fertility, the center of the larger worship Philae, Abydos symbol of the throne, the solar disk with the horns of cow, consort of Osiris, mother of Horus, father and mother of Isis were Geb and Nut.

PTAH. It is said of him: “Your edificaste your own body when even when there was no heaven or heaven or earth; when the waters had not risen yet. You have placed order in the land; thou hast gathered thy flesh; thou hast engaged your members, finding in it only a being who already was in order. You formed the Two Lands (Upper and Lower Egypt) you don’t have father that procrease in your mother you lighting. You created for yourself and to point to the light of day. You were the lord of the land when this lay motionless under the water and I still hadn’t emerged; now Ptah, you have the figure of Tenen, the nature of that which unifies the two lands…”

  1. To the bind some myths, transmitted by texts of various periods. According to the Egyptian belief, in which great divinities, in very distant times, had lived on earth to rule Egypt by way of pharaohs, was assigned to a long reign of peace and justice on the gods and about the men, ended his old age. Refer to the period of youth and full power : “The Goddess Isis intends to find out the true name of Ra. The old age it made her tremble the mouth and pull saliva in the earth; Isis kneaded the saliva with dust, molding a snake. The snake bit to Ra, Isis told him he had to say His true name to heal, Ra said several names but because they were false cannot be cured; with so much suffering he departed not from all the magicians and said his name to Isis, immediately healed”. Hence the belief of the Egyptians of the healing powers of the name.

In Hermopolis appeared 4 myths about the creation of the world :

First: It was said that the origin of the world had been given in an egg the size of the cosmos. This egg was laid by the oca heavenly, which first broke the silence in the world with its large cackling.

Second : Similar to the first, but with the difference that the cosmic egg had placed a “ibis” bird that represents Thot god of the moon and wisdom.

Third: is a variant of the previous two saying that the creation of the world starts from the original “loto” in which cup was sitting the child.

Fourth: said that the lotus when he discovered the beetle, symbol of the sun. The beetle was transformed into a child who cried, whose tears formed men.

A polytheistic religion

The Egyptians had hundreds of gods, some of which were venerated in certain cities or regions, while others were more dilatadamente. Some gods took the form of creatures such as cows, bulls, Lionesses, monkeys and crocodiles; others of cosmic forces, such as the Sun and the Moon, the stars and the sky. The reason for the amount of gods, and the conflictual and contradictory beliefs held around them, you have to look for it in the past of Egypt. To unify the country, the religion of the State had to absorb many local cults, many of them born, perhaps, in the worship of primitive totems or sacred objects. Some of these cults combined, others remained as it always had been, and even later attempts to form “families” of gods did not prosper even in the simplification of the pantheon.

There was, however, a tendency to unify in a single god the functions of various local deities, and certain gods, sponsored by the pharaohs and venerable in major cities and in the most splendid temples, reached the character of national gods. Such were Horus, the king’s personal god Ptah, the god of Memphis; Ra, the Sun-god of Heliopolis; Hathor, the cow goddess, special patroness of women, and Amun or Amun-Ra), who in the New Kingdom became the most important and powerful of all the gods of Egypt.

Given that the religious rites were as much importance to the Egyptians, his art was first of all a lot more to do with the religion that with a deliberate search for beauty. The sculptures and the paintings were created, not for the houses, but for the temples and tombs. Up to the battle scenes on the walls of the temples of the New Kingdom, such as scenes of daily life in the tombs of the nobles had a religious purpose. The artist were, therefore, bound by a series of rigid conventions that, with a few variations, observed during the 3,000 years. The figures in circles had to be vertical and symmetrical.

In a figure erect, the left foot had to be developed, and hands glued together at the sides, unless secured a staff or a scepter. The position of hands and arms, as well as the shape of the hairstyle, clothes and ornaments, were governed by strict rules, and the relationship of volume between the different parts of the body had to be adjusted to proportions established beforehand.

The rows of silent and majestic figures walking or sitting of the Egyptian sculpture, seem monotonous at first sight, but referred to more closely, reveal many subtle differences, introduced by the skill in modeling, by the perspective of the painting, by the delicate detail, and even by a lightness in the touch that reveal a sense of humor in the artist.

The static formalism of the actual figures contrasts with the representation, free and brilliantly conceived, of servants and laborers to those shown in an infinite variety of attitudes; in an attitude of jump, pulling of strings, reaping and winnowing, or dancing and playing musical instruments for their masters. The artists equally animalistic are masterful and demonstrate an acute powers of observation. One of the characteristics of the paintings and Egyptian reliefs that can antojarsele strange in the eyes of the western observer is the fact that, despite the fact that the Egyptian artist could, of course, be reproduced exactly what you see, prefer to deliberately ignore the perspective. The explanation lies in the egyptian art practice. The role of the artist was to capture, not what he saw but he knew that it existed. Thus, painted in such a way that represented by each one of the essential parts of the human figure head, shoulders, arms, legs and feet as clearly as possible and in its most familiar, the same profile from the front. Some modern artists have been inspired by this cubist treatment of natural forms made by the Egyptians.

Isis in ancient Greek ( Original pronunciation more likely Egyptian Aset “” or “Iset”) is a goddess of the ancient religious beliefs Egyptian, whose cult spread throughout the world the greek-roman was venerated as the mother and the ideal wife, as well as the patroness of nature and magic. He was the protector of slaves, of sinners, artisans, the oppressed, but also listened to the prayers of the rich, girls, of nobles and rulers.

Isis is often depicted as the mother of Horus, the God from the head of Falco, god of war and protection (even if in some traditions the mother of Horus was Hathor). Isis was also recognized as protectress of the dead and the goddess of children. The name Isis means “throne”, his headgear is in fact a throne : as a personification of the throne was an important representation of the power of Pharaoh. The pharaoh was painted as if it were his child, that sat on the throne while she had breast. His cult was popular in all the land of Egypt, but its temples most important were Behbeit El – Hagar in the Nile delta and, starting from the reign of Nectanebo I (380-362 BC), on the island of Philae in Egypt.

In the typical shape of his myth, Isis was the first daughter of Geb, the God of the earth and Nut, goddess of the sky. Isis married his brother Osiris, conceiving Horus with him. Isis was decisive in the resurrection of Osiris, after which he was assassinated by set his brother, identified as the god of chaos. Using its magical abilities, Isis managed to rebuild the body of Osiris after his pieces were scattered all over Egypt and restoring life, even if it was not able to find the penis of Osiris which was then replaced with one of the wood. This myth became very important during the Greek-Roman period, for example it was believed that the Nile river was flooded every year because of the tears of pain that Isis paid for Osiris.

The death of Osiris and his rebirth were relived every year through the rituals. The Cult of Isis spread all over the world greco-roman, continuing until the abolition of paganism in the Christian era. The popular image of Isis that nursing the son Horus, but it has survived in a context christianised as the popular image of Mary Magdalene (mother of Jesus) that nursed her son Jesus, from the V century onwards, in fact the true secret of Black Madonnas is none other than the descendants of the symbol from that of Egyptian Isis. The name of Isis is the Greek version of his name, with a final -s added to the original shape of the egyptian because of grammatical needs of the greek language ( -s , often is a marker name in ancient Greek).

The origins of the Cult of Isis is uncertain but it is believed that it was originally a popular divinity in times predinastici, before 3100 aC, at Sebennytos in the delta of the Nile. The first written references to the Isis date back to the V dynasty of Egypt, on the basis of the association of his name with the throne, some Egyptologists believe that the original function of Isis was that of the throne-mother or fundamental figure archetipa mother, however, more recent studies suggest that the aspects of this role came later. In many African tribes, the throne is known as the Mother of the king and this concept fits well with the theory. During the period in which he reigned the figure of the goddess Isis was represented as the wife or assistant of pharaoh deceased, for this acquired connotations related to the funeral rites, its name appears more than eighty times in funerary texts of the pharaohs (Texts of pyramids).

In addition to this, Isis was also represented as the Mother of the “the Four Sons of Horus” (interesting that the Catholic Churches are surmounted by the symbols of the four evangelists which are the lion, the hawk, the bull and the Virgin…another appeal to these traditions for Christian nothing but pagan, at least according to the normal assertions of the “religious”), the four gods who protected the canopic jars containing the internal organs of the Pharaoh. More in particular, Isis was considered as the patroness of the liver – JARS – divinity , Imsety.

With the period of the Middle Kingdom, as soon as the funerary texts began to be used by members of the Egyptian society and not only by the royal family, the role of Isis as protettrire grew to include also the caste of the nobles as well as of the commoners. With the period of the New Kingdom, in many places, Isis was more important than his spouse a bit like today is the Madonna in respect of God that despite what is written in the Bible where God himself says “you will have no other God beside me”, Catholicism was filled with idols with various epithets and powers, with the sole purpose of not losing the “customers” donassero that money to the religious organization eper in order not to lose the political power.

When the cult of Ra came to prominence, with its center of worship in Heliopolis, Ra was identified with the gods Horus, but Hathor was put beside with Ra in some regions, becoming the Mother of God. From the moment that Isis was united symbolically to Horus and Horus identified with Ra, Isis began to be confused with Hathor and therefore became the mother of Horus. Isis became the wife of Osiris and mother of Horus/Ra in this period, this reconciliation issues led to the development of the myth of Isis and Osiris. In the Greek-Roman period, many of the priests and priestesses of Isis, had a reputation for great wisdom and as healers, it was said also had other powers including the interpretation of dreams andthe ability to control the climate by interlacing with nodes cords made of human hair, that in those times it was thought possessed magical powers.

Due to the association between nodes and magical power, the symbol of Isis was the Tiet or tyet ( means wellness/life), also called the node of Isis, buckle of Isis, or the blood of Isis. In many respects the tyet resembles a ankh, except for the arms facing downwards and if used as such, seems to represent the idea of eternal life or of the Resurrection (interesting concept is also present in the scriptures and philosophies – because these are – Christian Catholic/). The significance of the blood of Isis is more obscure, but the tyet often was used as a funerary amulet made of wood red, pietr, or glass, then this could simply be a description of the appearance of these materials used for this purpose or have links with the menstrual blood, what abhorred by Christian religions but considered sacred and venerated by the Egyptian cultures.

The star Sopdet (Sirio) is associated to Isis. The appearance of the star meant the advent of a new year and Isis was regarded as the goddess of rebirth and reincarnation as well as protectress of the dead. Probably due to the association of Isis with the goddess Aphrodite (Venus), during the roman period, La Rosa was used for adoring it (interesting that even the Madonna abbbia this flower as a symbol).

With the period of the Middle Kingdom, as soon as the funerary texts began to be used by members of the Egyptian society and not only by the royal family, the role of Isis as protettrire grew to include also the caste of the nobles as well as of the commoners. With the period of the New Kingdom, in many places, Isis was more important than his spouse a bit like today is the Madonna in respect of God that despite what is written in the Bible where God himself says “you will have no other God beside me”, Catholicism was filled with idols with various epithets and powers, with the sole purpose of not losing the “customers” donassero that money to the religious organization eper in order not to lose the political power.

When the cult of Ra came to prominence, with its center of worship in Heliopolis, Ra was identified with the gods Horus, but Hathor was put beside with Ra in some regions, becoming the Mother of God. From the moment that Isis was united symbolically to Horus and Horus identified with Ra, Isis began to be confused with Hathor and therefore became the mother of Horus. Isis became the wife of Osiris and mother of Horus/Ra in this period, this reconciliation issues led to the development of the myth of Isis and Osiris. In the Greek-Roman period, many of the priests and priestesses of Isis, had a reputation for great wisdom and as healers, it was said also had other powers including the interpretation of dreams andthe ability to control the climate by interlacing with nodes cords made of human hair, that in those times it was thought possessed magical powers.

Due to the association between nodes and magical power, the symbol of Isis was the Tiet or tyet ( means wellness/life), also called the node of Isis, buckle of Isis, or the blood of Isis. In many respects the tyet resembles a ankh, except for the arms facing downwards and if used as such, seems to represent the idea of eternal life or of the Resurrection (interesting concept is also present in the scriptures and philosophies – because these are – Christian Catholic/). The significance of the blood of Isis is more obscure, but the tyet often was used as a funerary amulet made of wood red, pietr, or glass, then this could simply be a description of the appearance of these materials used for this purpose or have links with the menstrual blood, what abhorred by Christian religions but considered sacred and venerated by the Egyptian cultures.

The star Sopdet (Sirio) is associated to Isis. The appearance of the star meant the advent of a new year and Isis was regarded as the goddess of rebirth and reincarnation as well as protectress of the dead. Probably due to the association of Isis with the goddess Aphrodite (Venus), during the roman period, La Rosa was used for adoring it (interesting that even the Madonna abbbia this flower as a symbol).

With the period of the Middle Kingdom, as soon as the funerary texts began to be used by members of the Egyptian society and not only by the royal family, the role of Isis as protettrire grew to include also the caste of the nobles as well as of the commoners. With the period of the New Kingdom, in many places, Isis was more important than his spouse a bit like today is the Madonna in respect of God that despite what is written in the Bible where God himself says “you will have no other God beside me”, Catholicism was filled with idols with various epithets and powers, with the sole purpose of not losing the “customers” donassero that money to the religious organization eper in order not to lose the political power.

When the cult of Ra came to prominence, with its center of worship in Heliopolis, Ra was identified with the gods Horus, but Hathor was put beside with Ra in some regions, becoming the Mother of God. From the moment that Isis was united symbolically to Horus and Horus identified with Ra, Isis began to be confused with Hathor and therefore became the mother of Horus. Isis became the wife of Osiris and mother of Horus/Ra in this period, this reconciliation issues led to the development of the myth of Isis and Osiris. In the Greek-Roman period, many of the priests and priestesses of Isis, had a reputation for great wisdom and as healers, it was said also had other powers including the interpretation of dreams andthe ability to control the climate by interlacing with nodes cords made of human hair, that in those times it was thought possessed magical powers.

Due to the association between nodes and magical power, the symbol of Isis was the Tiet or tyet ( means wellness/life), also called the node of Isis, buckle of Isis, or the blood of Isis. In many respects the tyet resembles a ankh, except for the arms facing downwards and if used as such, seems to represent the idea of eternal life or of the Resurrection (interesting concept is also present in the scriptures and philosophies – because these are – Christian Catholic/). The significance of the blood of Isis is more obscure, but the tyet often was used as a funerary amulet made of wood red, pietr, or glass, then this could simply be a description of the appearance of these materials used for this purpose or have links with the menstrual blood, what abhorred by Christian religions but considered sacred and venerated by the Egyptian cultures.

The star Sopdet (Sirio) is associated to Isis. The appearance of the star meant the advent of a new year and Isis was regarded as the goddess of rebirth and reincarnation as well as protectress of the dead. Probably due to the association of Isis with the goddess Aphrodite (Venus), during the roman period, La Rosa was used for adoring it (interesting that even the Madonna abbbia this flower as a symbol).